Call for Papers: Cultural Heritage Data & Power. Exploring Digital Collections and Situated Knowledges in Film History and Beyond

Bringing together researchers, scholars and practitioners, the conference seeks to stimulate a critical debate about the creation, processing and archiving of film historical data and other cultural heritage data. The goal of the conference is to examine how critical perspectives on historical research data can be combined with new ways of applying and exploring digital tools and methods in film and media studies and beyond. Based on DAVIF’s research on data visualizations and women in film history, the conference focuses on the intersections of feminist (film) historiography, critical data studies, data feminism, archival and curatorial practices, computational approaches, AI applications, and information infrastructures. 

28. 3. 2024

We welcome two types of proposals: 1) papers and 2) workshops. But we can also try to facilitate other formats. Please submit your proposal (title, abstract of max. 300 words and a short biographical note of max. 150 words, 5 keywords, and 3 references) by April 30, 2024 via Presentations will be allowed 20 minutes + 10 minutes of discussion. For workshop proposals please indicate the number of participants. 

Abstracts will be selected by June 15, 2024.

An open access publication of all conference papers is planned for fall 2025.

The event is the closing conference of the BMBF research group “Aesthetics of Access. Visualizing Research Data on Women in Film History” (DAVIF) (2021-2025).
It will take place at Philipps-Universität Marburg in Marburg, Germany, from November 14–16, 2024. The conference will be held in English.

For speakers who do not have their own means of travel, travel and accommodation costs may be covered on application. Please contact us regarding further arrangements.

More information will follow shortly at the conference website:

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